Major key
E flat major
Its seven chords: E♭, Fm, Gm, A♭, B♭, Cm, Ddim.
- E♭1
- F2
- G3
- A♭4
- B♭5
- C6
- D7
- I–V–vi–IV
- E♭
- B♭
- Cm
- A♭
- ii7–V7–Imaj7
- Fm7
- B♭7
- E♭maj7
- I–IV–V
- E♭
- A♭
- B♭
- vi–IV–I–V
- Cm
- A♭
- E♭
- B♭
- I–vi–IV–V
- E♭
- Cm
- A♭
- B♭
- I–V–vi–iii–IV–I–IV–V
- E♭
- B♭
- Cm
- Gm
- A♭
- E♭
- A♭
- B♭
About E flat major
Play E♭ – F – G – A♭ – B♭ – C – D and back to the first note again, and you have the scale of E flat major. With 3♭ in the signature (B♭, E♭, A♭), it is easy to read once you know the signature. Every chord in the table above is made only from these notes.
In E flat major the chords E♭, A♭ and B♭ carry the weight: they are major, they are built on the strongest degrees of the scale, and moving between them sounds like a sentence with a beginning, a middle and an end. The minor chords ii, iii and vi share two notes each with those, which makes them easy substitutes.
Starting the same scale from C gives C minor, the relative key. Borrowing a chord from E flat minor, the parallel key, is a classic way to add colour: a minor chord in a major key, or a major chord in a minor one, for a moment.
The dominant seventh chord, B♭7, is the strongest way to lead back to E♭: it contains the leading note D, a half step below the home note, and resolving it feels like coming home. Nearby keys on the circle are B flat major and A flat major.
If the barre chords of E flat major are hard for you, use a capo on fret 3: the shapes C, Dm, Em, F, G, Am then sound in the right key.
Practise the key in three steps: the scale up and down, the seven chords in order, then one of the progressions above until the changes feel automatic. Ten minutes is enough.